Dynamic Dragonfly on Hyacinth Bean Branch

Skills: Media Art

[ezcol_1half]

Dec 2016 – Jan 2017

[/ezcol_1half]

[ezcol_1half_end]

Smart textile

[/ezcol_1half_end]


Dynamic Dragonfly on Hyacinth Bean Branch is a reproduction of the traditional Chinese embroidery work from the Ming Dynasty. It employs thermochromic dye and conductive thread to stimulate color change in response to users’ operation.

[ezcol_1half]

Before

Before

[/ezcol_1half] [ezcol_1half_end]

After

After

[/ezcol_1half_end]

Motivation and Related Work

Traditional Chinese Embroidery

Chinese embroidery has a long history and various styles. Gu embroidery is a family style originated from Gu Mingshi’s family during the Ming Dynasty in Shanghai. Han Ximeng, the wife of the second grandson of Gu Mingshi developed the skill and was reputed as “Needle Saint”. Dragonfly on Hyacinth Bean Branch is one of her masterpieces.

Dragonfly on Hyacinth Bean Branch

Dragonfly on Hyacinth Bean Branch – Han Xi-meng

Fiber Art

Fiber Art is a kind of fine art stemming from European Tapestry which also embeds the concept of contemporary art. It encourages artists to utilize various materials, not only fabric but also plastic, resin, metal, even human hairs. This open-ended art genre creates plenty of space for experiment. For example, the combination with electronic components.

 

[ezcol_1third]

[/ezcol_1third] [ezcol_2third_end]

Fiber Art-1

[/ezcol_2third_end]

 

Smart Textile

There are a lot of excellent interactive work and smart textile made by fashion designers, artists, makers, engineers and HCI researchers. A collection of these work can be seen on my blogger.

The technology of this work was mainly inspired by “I don’t Want to Wear a Screen”: Probing Perceptions of and Possibilities for Dynamic Displays on Clothing ( Laura Devendorf, Joanne Lo, Noura Howell, Jung Lin Lee, Nan-Wei Gong, M. Emre Karagozler, Shiho Fukuhara, Ivan Poupyrev, Eric Paulos, Kimiko Ryoaki. 2016).

Method & Process

Sketches

In the first sketch, I expected the embroidery to change color quickly like a gif or a low frame rate animation. But the experimental result shows it is not possible because it takes about one minute to change color.

I want to present traditional embroidery work in a new way.

Construction & Prototype

Part I Embroidery

[ezcol_1third]

Cross-Stitch

Customized cross-stitch

(30*40cm)

(15*20cm)

[/ezcol_1third] [ezcol_1third]

[/ezcol_1third] [ezcol_1third_end]

[/ezcol_1third_end]

Material

 

[ezcol_1half]

Thermochromic Dye

Thermochromic Dye

[/ezcol_1half] [ezcol_1half_end]

Conductive Thread

Conductive Thread

[/ezcol_1half_end]

Dyeing thread

Challenge 1: Dyeing Thread

First, I tried several suppliers to find the best thermochromic dye.

I need to dye the thread myself. The pigment is similar to acrylic paint. And because it changes color when the temperature is higher than 30°C, I cannot use the most common boiling and dyeing approach. At first the dyeing is quite inefficient, then I made a winder to enhance the efficiency. I was able to dye about 5m/h.

[ezcol_1half]

Winder

Winder

[/ezcol_1half] [ezcol_1half_end]

Three colors

Three colors

[/ezcol_1half_end]

Part II Circuit

How does it work?

  • Convert electric energy to heat energy Component

Components: Arduino, Transistor, Battery

[ezcol_1quarter]

[/ezcol_1quarter] [ezcol_1quarter]

Experiment 2

[/ezcol_1quarter] [ezcol_1quarter]

Experiment 3

[/ezcol_1quarter] [ezcol_1quarter_end]

Experiment 4

[/ezcol_1quarter_end]

 

Challenge 2:
Use TIP122 as the switch

[ezcol_1third]

TIP122

TIP122

[/ezcol_1third] [ezcol_2third_end]

circuit diagram

circuit diagram

[/ezcol_2third_end]

Part of Experiment Record (Chinese)

Limitation

  1. Time for color change is too long.
  2. As an item for exhibition in the museum, the work is not stable enough. Thermochromic pigment only works for a certain period.
  3. The connection of wires and thread is too fragile. As a result, color changing may not work if the work is moved or shaken vigorously .

Future Work

Challenge 3: The complexity that comes from embroidery itself.

Start and End Point

The starting point and the ending point should be connected to positive and negative electrode respectively. Otherwise there will be no current on the swatch, which results in no color change.

Area of Embroidery

One thread can only control a small area of embroidery. As a result, before the embroidery, I need to sketch the areas accurately.

[ezcol_1half]

Start and End Point

Start and End Point

[/ezcol_1half] [ezcol_1half_end]

Area of Embroidery

Area of Embroidery

[/ezcol_1half_end]

Acknowledgement

Thanks for Noura Howell’s kind help and sharing of their experiment details.